古人的話：以銅為鏡子，但穿著端正，用于端正自己的言行。(威廉莎士比亞，《哈姆雷特》)當代詩人李賀也用了詩。"雙陸安鏡像秋色，海女林鏡立像."描繪女性鏡子化妝的感人場面，銅鏡集觀賞價值和實用價值融為一體，在當代，銅鏡達到了發(fā)展史的第三個頂峰，不僅風(fēng)格不斷變化，工藝也頻繁創(chuàng)新，受到了唐人的喜愛。(威廉莎士比亞，坦普林，藝術(shù))。海獸葡萄圖案正是這一時期工匠的巧妙成果，是堂堂正正的氣息和西域文化的融合，神秘而華麗。今天我們將暫時來到這個精彩的“謎之鏡”。

我國很久以前，通過河流和池塘知道靜止的水能照亮人，所以第一次以陶器盆裝水為鏡子化妝。(威廉莎士比亞，《哈姆雷特》)銅被發(fā)明后，用銅盆盛水，拍下柿餅照片?！墩f文金部》將“柿子”解釋為“盆”，因此盛水的盆(柿子)據(jù)說是第一面鏡子。隨著冶煉技術(shù)的提高，人們發(fā)現(xiàn)光滑的銅面可以照亮人，常州時期開始試制銅石和銀鉛等合金技術(shù)，制作銅鏡。

青銅鏡

古代鑄造鏡技術(shù)充分顯示了工匠精神，在長期生產(chǎn)中不斷積累鑄造銅鏡的經(jīng)驗，達到技藝熟練的水平。他們使用了用智慧和創(chuàng)造性才能制作的眾多絕妙銅鏡，使今天人們在欣賞和研究這些精美的藝術(shù)品時不得不佩服古代燦爛的銅鏡文化。(莎士比亞)。

銅鏡的正面和背面氧化一致，有醒目的黑色高包裝，表現(xiàn)直截了當?shù)刈兝狭?。幾千年后，品相依然完美，圖案清晰，輪廓整齊，沒有任何變形，沒有瑕疵，沒有破損等瑕疵，是收藏品的美品，其圖案不僅有四猴子，還有山門，還有劉釘雷文。

銅鏡是古人鑒別容貌的生活工具。從戰(zhàn)國時期開始使用比較廣泛，到明清時期基本上與中國古代封建社會始終延續(xù)了三千多年。漢代是我國古代銅鏡發(fā)展史上的第一個頂峰，標志著銅鏡發(fā)展到了一個新的階段，與以前的銅鏡相比，有很大的差距。漢代銅鏡以其豐富多樣的類型，精美的鏡子等圖案、內(nèi)容豐富的銘文和精湛的鑄造技術(shù)，在中國古代銅鏡發(fā)展史上，勝戰(zhàn)后占有重要地位。銅鏡作為重要而常見的文化文物，包含著豐富的文化內(nèi)涵和歷史信息，成為研究漢代社會歷史和文化的重要物質(zhì)文化文物，為研究漢代社會生產(chǎn)力發(fā)展水平提供了可靠的依據(jù)。

這面銅鏡歷史悠久，品相完善，包裝陳舊。這銅鏡以銅為鏡子，可以穿戴整齊。以歷史為鑒，可以知道興致。以人為鏡，就能知道得失。這面銅鏡的時間范圍很廣，可以保持完美的品相，但它的確是上天的眷顧，生世罕見，具有極高的收藏價值。

青花瓷(blue and white porcelain)，又稱白紙青花瓷(Blue and White Porcelain)，常被稱為青花瓷，是中國陶瓷的主流品種之一，屬于釉下彩瓷。青花瓷以含有氧化鈷的鈷礦為原料，在陶瓷坯上涂上花紋，再涂上透明的釉，經(jīng)過高溫，一次燒一次火焰。鈷材料具有燃燒后呈藍色、著色能力強、色澤明亮、燃燒率高、顏色穩(wěn)定等特點。原始青花瓷在唐宋已經(jīng)看到了丹丹，成熟的青花瓷出現(xiàn)在元代景德鎮(zhèn)的好戰(zhàn)窯里。明代青花成為陶瓷的主流。清江熙市達到了頂峰。明清時期還制作了青花五色、孔雀色釉料青花、豆青釉青花、青花紅、黃志藍花、高油藥青花等衍生品種。

清華化學(xué)柳病

圓腳氧化變黃，圓瓷輪胎細膩，最初被稱為“糯米汁輪胎”，這是胎體質(zhì)地的形象描述，就像糯米研磨水分流出的米漿一樣細膩光滑。被稱為糯米胎，這種胎非常細膩，是磁鐵經(jīng)過多次精煉，提煉得非常精細的極品陶瓷胎，這種姿態(tài)的輕扣聲清脆悅耳，胎質(zhì)細密，比一般瓷器堅硬

度要高，抗熱漲冷縮能力強，很多瓷器經(jīng)歷上百年時間就會自然的干裂，我們成為陰裂現(xiàn)象，與窯裂不同，是后期形成的，而糯米胎瓷器就不會出現(xiàn)這種問題，由于瓷土極其細膩，也不會出現(xiàn)棕眼的現(xiàn)象，是美瓷的重要要素。

石榴瓶是根據(jù)石榴造型衍生而來的中國傳統(tǒng)陶瓷工藝品。

在中國傳統(tǒng)文化意識中，石榴代表了吉祥、吉利，通常送給結(jié)婚的新人，寓意多子多福。石榴的顏色十分鮮艷，寓意著紅紅火火，生活和事業(yè)蒸蒸日上。瓶與平同音，表達了對平安的祝福。

青花多為纏枝花卉，這類折枝圖案，十分少見，瓶口外撇，瓶頸短，腹部圓潤外鼓，形似石榴，是典型的石榴瓶，屬于少見的青花瓷器。

整個青花畫面顏色深淺不一，青花暈散明顯，吃進胎骨，毫無浮與表面之感，畫面極其生動自然，不管從任何角度欣賞都是古韻十足，青花瓷是能最好表現(xiàn)潑墨山水畫的瓷器，這是其它瓷器所做不到的，所以青花瓷最具中國風(fēng)，最能體現(xiàn)中國山水畫藝術(shù)的最好載體，china這個單詞大家都知道是中國的意思，可是最早這個單詞的意思就是瓷器，因為當時中國被稱之為瓷器之國，可見我國瓷器的影響之大，已經(jīng)成為對外的一張藝術(shù)名片了，而當時出口瓷最多的就是青花瓷，這件青花瓷開門見老，畫工精美，寓意吉祥，綜上所述是一件十分難得的館藏級藏品，可謂是千金易得，一寶難求。

英文翻譯：The ancients said: copper as a mirror, can be dressed, to correct their words and deeds; Tang Dynasty poet Li He also used the poem "Tanluan open mirror like autumn, solution locked mirror like a bed." In the Tang Dynasty, bronze mirrors reached the third peak in their development history. Not only the styles varied, but also the techniques were innovated frequently, which made them popular among Tang people. The sea animal grape pattern is the result of crafty thinking in this period, which is the fusion of the charm of tang dynasty and western culture, mysterious and gorgeous. Today we will take a look at this colorful "mirror of many mysteries".

In ancient China, people found that still water could reflect people through rivers and ponds, so they slowly extended to the earliest stage of using water in a pottery basin as a mirror for dressing and dressing. After the invention of bronze ware, water was filled in a copper basin, and the shape was checked and the shadow was taken. "Jian" is interpreted as "pan" in Shuowen · Jin Bu, so the basin containing water (jian) is the earliest mirror. With the improvement of smelting technology, people found that smooth copper surface can shine on people, shang and Zhou dynasties began to try to produce copper tin and silver lead alloy technology to make copper mirrors.

Bronze mirror

The ancient mirror casting technology fully shows the spirit of craftsmen. In the long-term production, the experience in casting bronze mirrors has been accumulated constantly, so that the craft has reached a skilled level. They created many exquisite bronze mirrors with their wisdom and creative ability, so that today's people can not but admire the splendid bronze mirror culture in ancient times when they appreciate and study these exquisite works of art.

Positive and negative bronze mirror oxidation is consistent, have obvious black paint old wrapped slurry, open the door to me, after thousands of years, the appearance is still perfect, design clarity, contour neat, no deformation, ke is missing, damaged flaws, such as for the beauty of the collection, its design not only has four monkeys, and word lines, and nails thunder, these are all passed down by bronze ornamentation, This bronze mirror black paint ancient and chocolate coating paste, beautiful, for bronze mirror collection of the best, has a high collection value.

Bronze mirrors were used by ancient people to mirror their faces. It was widely used from the Warring States Period to the Ming and Qing Dynasties, basically consistent with China's ancient feudal society, lasting for more than 3,000 years. The Han Dynasty was the first peak in the development of ancient Bronze mirrors in China, marking a new stage of the development of bronze mirrors, which were very different from the previous ones. Bronze mirrors of the Han Dynasty play an important role in the development of ancient Chinese bronze mirrors with their various types, exquisite patterns on the back of mirrors, abundant inscriptions and sophisticated casting techniques. As an important and common cultural relic, bronze mirror contains rich cultural connotation and historical information, becoming an important material cultural relic for the study of social history and culture of the Han Dynasty, and also provides a reliable basis for the study of the development level of social productivity in the Han Dynasty.

This bronze mirror has a long history, perfect appearance and old patina, which is exactly corresponding to: taking copper as the mirror, you can dress properly; Take history as a mirror, you can know xing and replace; Take people as a mirror, you can show your gains and losses. This bronze mirror has a great time span and can maintain perfect appearance, which is really blessed by God. It is rare and has a high collection value.

Blue and white porcelain, also known as blue and white porcelain, is one of the mainstream varieties of Chinese porcelain. It is an under-glaze porcelain. Blue and white porcelain is made of cobalt ore containing cobalt oxide as raw material. It is painted on the ceramic body and then covered with a layer of transparent glaze. It is fired by a high temperature reduction flame. Cobalt material is blue after firing, with strong coloring power, bright hair color, high firing rate, color stability. The original blue and white porcelain appeared in the Tang and Song dynasties, while the mature blue and white porcelain appeared in the Hutian kiln of Jingdezhen in the Yuan Dynasty. Blue and white porcelain became the mainstream in Ming Dynasty. It reached its peak during the Reign of Emperor Kangxi of qing Dynasty. The Ming and Qing dynasties, also created the blue and white colorful, peacock green glaze blue and white, bean green glaze blue and white, blue and white red color, yellow blue and white, brother glaze blue and white and other derivatives.

Blue and white Pomegranate bottle

The round foot is oxidized and yellow, and the round foot porcelain is delicate and white, which is the glutinous rice embryo. It was first called "glutinous rice juice embryo" to vividly describe the texture of the embryo body, just like the rice milk flowing out of glutinous rice after being ground by water. Called glutinous rice, after the child is very exquisite, is China stone some acura after many refined extremely delicate porcelain body, the porcelain body light sweet crisp, TaiZhi closely, more like porcelain higher hardness, heat from the cold resistance is strong, a lot of China experienced hundreds of years to naturally weather-shack, we become Yin crack phenomenon, unlike kiln crack, is formed in the late, However, this problem will not occur in the glutinous rice porcelain. Because the porcelain clay is extremely delicate, there will be no brown eye phenomenon, which is an important element of beautiful porcelain.

Pomegranate bottle is a traditional Chinese ceramic handicraft derived from the shape of pomegranate.

In traditional Chinese culture, pomegranate represents auspiciousness and auspiciousness, and is usually given to the newlyweds, implying many children and good fortune. Pomegranate color is very bright, meaning thriving, life and career is thriving. Bottle and flat homophone, to express the blessing of peace.

Blue and white flowers are mostly wrapped branches of flowers, this kind of folded branches pattern, very rare, bottle mouth, short neck, belly round and bulging, shaped like a pomegranate, is a typical pomegranate bottle, belonging to the rare blue and white porcelain.

The whole blue two-tone color, blue and white halo, eating into the fetal bone, and the surface without feeling, picture extremely vivid and natural, no matter from any Angle to appreciate is a sensibility, blue and white porcelain is the best performance splash-ink landscape painting of China, it is the other porcelain can't do, so most Chinese wind of blue and white porcelain, most can reflect the best carrier of Chinese landscape painting art, China this word is the meaning of the Chinese is known to all, but the meaning of this word is the earliest porcelain, because the country is referred to as Chinese porcelain, is our country the influence of China, has become a foreign art card, at a time when export porcelain is blue and white porcelain, the blue and white porcelain to open the door to me, drawing fine, meaning auspicious, To sum up, it is a very rare collection, which is easy to get and hard to find.