銅鏡是青銅制成的古代使用器物，也是精美的工藝品。最早的銅鏡被發(fā)現(xiàn)是從現(xiàn)在到4000年左右在齊家文化墓出土的，直徑6厘米，厚度0.3厘米，鏡子有光澤，鏡子等中央有腿型紐扣，沒有花紋。

據(jù)史料記載，從常州時代開始，古人用青銅打磨成鏡子，光線照人，背面刻著精美的圖案。到戰(zhàn)國的時候已經(jīng)很流行了，漢、唐的時候更是精致美麗。

漢朝金門透射銅鏡。

漢代投光東京的發(fā)明是鑄造鏡工藝的又一里程碑。圖景鏡是西漢時期發(fā)明的，外形像普通鏡。但是，當(dāng)光線照在鏡子上時，鏡子的另一邊墻上反映出鏡子的背部圖案和銘文的影像，古代稱之為“環(huán)境”。(威廉莎士比亞，Northern Exposure(美國電視劇)，《鏡子名言》)中國古代學(xué)者早就發(fā)現(xiàn)了投光鏡的投光效果。據(jù)《太平廣記》記載，隋王濤得到的古景是“如果得到日照，就給上圖抹黑，細(xì)膩程度絲毫無損”。

宋代周密《云煙過眼錄》，沈括《夢溪筆談》，金大麻9區(qū)《賦伯玉透光鏡》市，明代郎英《七修類稿》，清代征服光《鏡鏡（鈴）癡》。研究表明，銅鏡透光是銅鏡冷卻和加工鏡子過程中產(chǎn)生的內(nèi)部應(yīng)力造成的。鑄造鏡子時，鏡子先冷，厚的地方冷，銅的收縮性大，鏡子的各個部分出現(xiàn)了與鏡子的背門相對應(yīng)的凸起和曲率差異，所以畫在背面，但鏡子隱隱出現(xiàn)了一些跡象。(威廉莎士比亞。溫德薩默。)所以，陽光照射下，背面的圖案會反射出來。

這個銅鏡燈按鈕，黑色高包裝，內(nèi)外兩層圖案，外側(cè)由半圓形花瓣組成，鼓釘紋，草葉紋，內(nèi)部圖案呈正方形，有金門環(huán)繞，文字精美清晰，非常稀有。

中國是世界上最早使用銅鏡的地區(qū)之一，銅鏡在鏡子等處有很多精美的圖案銘文圖案，成為古代青銅器中毒性體系的精巧工藝品。在銅鏡背面鑄造銘文是全國末期出現(xiàn)的新款式。經(jīng)過西漢初期的發(fā)展，漢武帝以后，銘文逐漸成為銅鏡裝飾的重要組成部分，成為漢代銅鏡的突出特征。

這面銅鏡屬于顯眼的黑色高包裝、正面生銹的舊收藏品。真品無疑在青銅器收集中重視銘文，有銘文的青銅器價格高出好幾倍。這面銅鏡不僅有銘文，還擁有可以確定年代的美麗的黑黑古包裝，更寶貴的是青銅鏡中傳說的景象，這面鏡子具有很高的歷史研究價值。

英語翻譯：bronze mirroris an ancient bronze ware and exquisite handi craft . the earliest bronze mirror was unearthed from the Qijia culture tomb AAM 000

According to historical records，since the Shang and Zhou dynasties，ancient people used bronze polishing to make mirrors，Which wereto the warring States period was very popular，Han

Han dynasty gold transparent bronze mirror

the invention of transparent bronze mirror in Han dynasty is another milestone of mirror casting technology . the dioptric mirror was invented id steed

rror reflects the image of the back pattern and inscriptions, which the ancients called "magic mirror". Ancient Chinese scholars have long discovered the transmission effect of dioptric mirrors. "Taiping Guang Ji" records: Sui Wang Du got the ancient mirror "bear sunshine, then the above painting ink into the shadow, fine damage".

In the Song Dynasty, Mi Mi's "Record of The Passing of Clouds and Smoke", Shen Kuo's "Meng Xi Bi Tan", Ma Jiuchou's poem "Fu Bo Yu Penetrating Mirror" in the Jin Dynasty, Lang Ying's "Seven Xiu Class Manuscripts" in the Ming Dynasty, and Zheng Fuguang's "Mirror Mirror (Bell) Chi" in the Qing Dynasty have all been recorded and studied on the penetrating mirror. After liberation, two transparent mirrors were first discovered in Shanghai and successfully replicated by Shanghai Jiao Tong University, finally revealing the mystery of "phantom mirrors". The results show that the transmission of light is caused by the internal stress in the process of cooling and grinding the mirror. When casting the mirror, the thin part of the mirror is cold first, and the thick part is cold after, and the shrinkage of copper is large, so that the mirror part appeared and the mirror image on the back of the corresponding convex and concave uneven and curvature difference, thus causing the image and text although on the back, the mirror is concealed some signs. So when the sun hits it, the markings on the back reflect back.

The single button on the back of this bronze mirror is covered with black lacquer ancient paste. It is divided into two layers of patterns inside and outside. The outer layer is composed of semicircular petals, painted with drum nail pattern and grass leaf pattern.

China is one of the earliest regions in the world to use bronze mirrors. Because of the exquisite patterns and inscriptions on the back of the mirrors, bronze mirrors have become a unique system of exquisite handicrafts in ancient bronze ware. The inscriptions on the back of the bronze mirror were a new style in the late Warring States period. After the development of the early Western Han Dynasty, after emperor Wudi of the Han Dynasty, the inscriptions gradually became an important part of the bronze mirror decoration, a prominent feature of the Han Dynasty bronze mirror.

This bronze mirror has obvious black paint old wrapped slurry, positive rotting, belong to the collection of the door to me, the real, no doubt, in pay attention to the inscriptions, bronze collection with inscriptions of bronze price several times higher, this not only with inscriptions, bronze mirror to determine s, but has a beautiful black paint old wrapped slurry, is more valuable is that it is bronze legend through light microscope in the mirror, This mirror historical research value is very high, the collection potential is huge, suggested collection, handed down.