題目：

英語翻譯Arturo Toscanini,who conducted the first public performance of many world-famous operas (such as Othello and La Boheme),is regarded as the greatest conductor of the first part of the twentieth century.At the age of nineteen,he joined an Italian orchestra on a tour in Brazil.During that tour,the conductor of the orchestra suddenly quit his jobToscanini was that he did his job without the help of a score.Having read through a score,he could recall every note many years later.However,the fact that he had a marvelous memory alone did not make him a great conductor.It was his energy,strict attitude towards performance,and loyalty to the composer’s intention that made him outstanding.During rehearsals,to get what he wanted from his orchestra,he would sometimes stamp his feet,snap his baton and tear his store to pieces.He tried to make use of every means to interpret music.Once he found himself at a loss when trying to describe to an American orchestra a very light effect in a passage (his English was poor).After thinking hard for a while,he drew a white silk handkerchief from his pocket and threw it into the air,watching with the orchestra as it floated to the floor.“There!” he said.“Play like that!”　Toscanini drove himself as hard as he did his orchestra.If the orchestra met his demands,he would weep for joy.Otherwise,he would not spare them from punishment.If he himself made a rare mistake,he would slap his own face in front of the orchestra.He would not spare even himself from punishment.　　Toscanini would shout at anyone who dared talk during the performance or,even worse,arrived late.　　All through his life,Toscanini was anti-fascist.In1931,he was physically attacked for refusing to play the fascist anthem and for protesting against Hitler’s ban on Jewish musicians.　　He dropped his baton in 1954,and died in 1957 at the age of 90.

解答：

Arturo Toscanini,who conducted the first public performance of many world-famous operas (such as Othello and La Boheme),is regarded as the greatest conductor of the first part of the twentieth century.導(dǎo)演了許多世界知名歌劇如《奧瑟羅》和《藝術(shù)家的生涯》的第一次公開演出,阿爾圖羅.托斯卡尼尼被認(rèn)為是二十世紀(jì)初最偉大的指揮家.At the age of nineteen,he joined an Italian orchestra on a tour in Brazil.During that tour,the conductor of the orchestra suddenly quit his job 19歲時(shí),他加入了一個在巴西巡回演唱的意大利管弦樂隊(duì),在巡回演出時(shí),樂隊(duì)的指揮者突然辭職了.Toscanini was that he did his job without the help of a score.托斯卡尼尼是個不需要樂譜幫助來工作的人.Having read through a score,he could recall every note many years later.看過樂譜后,許多年以后他還能記得上面的每一個標(biāo)注.However,the fact that he had a marvelous memory alone did not make him a great conductor.然而,他有著驚人的記憶力這個事實(shí)并不能使他成為一個偉大的指揮家.It was his energy,strict attitude towards performance,and loyalty to the composer’s intention that made him outstanding.是他的精力/活力,對于表現(xiàn)的嚴(yán)格態(tài)度和對創(chuàng)作者目的的忠誠表達(dá)讓他光芒四射.During rehearsals,to get what he wanted from his orchestra,he would sometimes stamp his feet,snap his baton and tear his store to pieces.為了在樂隊(duì)中得到他所想要的,在排演時(shí)他有時(shí)會跺跺腳,突然折斷指揮棒或者是把自己的樂譜撕成碎片.He tried to make use of every means to interpret music.他設(shè)法利用每一種方法來闡述音樂.Once he found himself at a loss when trying to describe to an American orchestra a very light effect in a passage (his English was poor).曾經(jīng)當(dāng)他嘗試向一個美國管弦樂團(tuán)描述一段章節(jié)的很輕微的影響（?),（他的英語很差）時(shí),他發(fā)現(xiàn)自己迷失了.After thinking hard for a while,he drew a white silk handkerchief from his pocket and threw it into the air,watching with the orchestra as it floated to the floor.“There!” he said.“Play like that!”在經(jīng)過深刻思考后,他從口袋里拿出了一條白色絲質(zhì)手絹然后拋到高空,和樂隊(duì)看著它飄落到地面.他說道“這里,就像這樣表演”.　Toscanini drove himself as hard as he did his orchestra.If the orchestra met his demands,he would weep for joy.托斯卡尼尼讓自己盡可能沉溺于他的樂隊(duì)事業(yè).如果樂隊(duì)達(dá)到了他的要求,他會喜極而泣.Otherwise,he would not spare them from punishment.If he himself made a rare mistake,he would slap his own face in front of the orchestra.He would not spare even himself from punishment.否則,他將會毫不留情的懲罰他們.如果他自己犯了一個不該犯的錯誤,他將會當(dāng)著樂隊(duì)成員們的面打自己巴掌.他是不會吝嗇于懲罰自己.　　Toscanini would shout at anyone who dared talk during the performance or,even worse,arrived late.對于膽敢在表演時(shí)交談的人.不管是誰他都會咆哮那個人.　　All through his life,Toscanini was anti-fascist.In1931,he was physically attacked for refusing to play the fascist anthem and for protesting against Hitler’s ban on Jewish musicians.在他的一生中,托斯卡尼尼是反法西斯主義者.在1931年,因?yàn)榫芙^表演法西斯圣歌并為了反對希特勒對猶太人的禁令,他遭到了襲擊.He dropped his baton in 1954,and died in 1957 at the age of 90.1954年他放下了他的指揮棒,并于1957年逝世,享年90歲.